SPUKHAFTE FERNWIRKUNG – NEWCOMER KWS Art Lounge displays resonance of artistic positions

Einbeck, May 29th 2024

Two artistic positions, Constanze Böhm and Maximilian Neumann, have moved into the NEWCOMER KWS Art Lounge. The flow determines the action, one word leads to another, action invokes reaction: in the double exhibition “Spukhafte Fernwirkung” (Spooky Remote Effect), both positions are brought into resonance with each other, common ground is traced and solitude is allowed. A spatial installation of paintings, drawings, objects and sculptures shows the intersection of their joint artistic practice. Eight works by Maximilian Neumann, created in special places and influenced by the nature that prevails there, meet eight inner landscapes by Constanze Böhm from the “Feinheit und Freizeit” (Finesse and Leisure) series. The exhibition “Spukhafte Fernwirkung” can be seen until July 20 at the NEWCOMER KWS Art Lounge in Tiedexer Straße in Einbeck.

from left: Lotte Lindner and Till Steinbrenner, Hanover, Constanze Böhm artist, Maximilian Neumann, artist and Eva Kienle KWS board member. Image author: Andre Germar

from left: Lotte Lindner and Till Steinbrenner, Hanover, Constanze Böhm artist, Maximilian Neumann, artist and Eva Kienle KWS board member. Image author: Andre Germar

“Constanze Böhm explores painting, ceramics and drawing both on the level of their actual materiality and in the respective environment in which they are shown,” said Eva Kienle, KWS board member, at the opening. “In her works, Constanze Böhm searches for a moment of tension within this setting. The exchange and communication about this is an important concern for her.” Maximilian Neumann's passion is movement in nature, reported Kienle. “He goes on hikes, which are a constant source of motivation for his work. It's also always about being in company, getting involved and communicating.”

Lotte Lindner and Till Steinbrenner introduced the two artists' working methods by explaining that the exhibition showed pictures, objects and events. Art was to be understood as a form of energy transfer. According to Albert Einstein, a “spooky remote effect”, the title of the exhibition, describes a phenomenon in which there is a connection between particles that cannot be explained according to the current laws of physics, said Lotte Lindner and Till Steinbrenner, who have formed an artistic unit for 20 years - they studied at the Braunschweig University of Art and graduated as master students of the famous performance artist Marina Abramovic. Constanze Böhm and Maximilian Neumann were far from working without objects: “On the contrary, their approach to the material is full of joy, love and sensitivity,” said Lotte Lindner and Till Steinbrenner. However, the relational aspect of their work was particularly noteworthy. The paintings and sculptures not only communicated with the viewers, but also with each other. The greatest attribute of this arrangement, which is so rich in visual and sensory qualities, was to convey an impression “that everything is connected to everything else. And that this is not just dependence, but also and above all connectedness,” said Lotte Lindner and Till Steinbrenner. “Or to put it in the language of music: symphony!”

Eva Kienle, KWS board member with Maximilian Neumann

Eva Kienle, KWS board member with Maximilian Neumann, artist of the exhibition, in conversation in front of his works from the Samsö series. Image author: Andre Germar

In the table object made especially for the exhibition from waxed beech in the front room of NEWCOMER, Maximilian Neumann quotes a drawing by Constanze Böhm, adopting the oval formations of her drawing as the basis for his table construction, on which seven artist's books are placed. Developing artisanal and technical solutions is an integral part of his artistic repertoire. The oval of the table is also taken up again in the rear room in an object by Constanze Böhm: 250 oval chain links made of white, pearlescent ceramic are layered on a white carpet to form a sculpture. Connected and disconnected chain links are intended to allude to the metaphor of connection and separation, explains the artist.

Constanze Böhm, born in 1977, is an artist and freelance art mediator from Hanover. Before studying Fine Arts at the Braunschweig University of Art (HBK) with Olav Christopher Jenssen and Art Education (2013-2018), she completed the study certificate “Aesthetic Education and Design” (2011-2013) with distinction at the Leibniz University of Hanover and studied Costume Design (1997-2003) at the Hanover University of Applied Sciences and Arts.


Maximilian Neumann, born in 1986, lives and works in Hanover. After studying fine art at the Braunschweig University of Art (HBK) under Hartmut Neumann and Olav Christopher Jenssen (2010-2017), he graduated with distinction and was then a master student of Olav Christopher Jenssen from 2017 to 2018. From 2008 to 2010, Maximilian Neumann was an associate student at the University of Applied Arts Vienna.


Both are part of projektKLUB, an association of artists who realize interventions and exhibitions together (most recently at Kunstverein Hildesheim, Kunstverein Braunschweig, among others).

At the final exhibition on Saturday, July 20, cooking and sharing will define the artistic practice at a small event and underline the togetherness in art and in everyday life. “The eye can now eat too": different-colored dips and homemade bread will be served on the day from the ceramic bowls of Maximilian Neumann's work ‘With a little help from my friend’, which can be seen until then as an installation on a wall of the NEWCOMER rooms.


Visitors are invited to share the food with the artists and engage in conversation with them.

NEWCOMER KWS Art Lounge

Tiedexer Straße 20 in Einbeck

Wednesdays from 10 am to 1 pm, Fridays from 3 pm to 6 pm and Saturdays from 10 am to 1 pm

SPUKHAFTE FERNWIRKUNG – Constanze Böhm and Maximilian Neumann

About KWS

KWS is one of the world's leading plant breeding companies. Over 5,000 employees* in more than 70 countries generated net sales of around EUR1.8 billion in fiscal year 2022/2023. KWS has been managed independently and autonomously as a family-run company for over 165 years. Its focus is on plant breeding and the production and sale of corn, sugarbeet, cereal, vegetable, rapeseed and sunflower seed. KWS uses state-of-the-art plant breeding methods to increase farmers' yields and further improve the resistance of plants to diseases, pests and abiotic stress. To achieve this goal, the company invested more than €300 million in research and development in the past fiscal year.

*without seasonal workers

About art at KWS

Art at KWS means diversity, individuality and creativity - art at KWS creates new perspectives and space for experimentation! Art in the BiT regularly brings art into our working environment and invites visitors to the KWS research building Biotechnikum. NEWCOMER KWS Art Lounge, the gallery in Einbeck's old town, opens up access to initial exhibition experiences and creates a platform for encounters. We offer a springboard for young and aspiring artists, create cultural opportunities for the region and bring inspiration to the workplace.

Use of images: Use is permitted for editorial articles about KWS, provided the source is acknowledged. Commercial distribution to third parties is not permitted.

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